Exhibits 2025
In Siete , Cedrick Dela Paz returns to the roots that have shaped his earlier body of work, where he has constantly explored symbolic critiques of misguided faith and the contradictions that lie within such an intricate system.
-Dave Lock
In this year’s Bayluhanay Biennale, the message is refracted through urgent concerns such as the assault of extractive development, the persistence of corruption, and the widening catastrophe related to climate change and environmental crisis. The medium is no longer the preacher’s itinerant body but the cycling of artists, each one carrying artworks as well as convictions and hopes.
-Janine Dimaranan
Sa pamamagitan ng kanyang mga painting, sinusuri ni Frenk ang pagkatao bilang isang uri ng pagganap—mga maskarang nililikha natin upang tanggapin, mabuhay, o kahit papaano'y mapansin.
-Z
Unio Mystica gathers a body of work that meditates on death not as finality but as passage. Drawing on myth and tradition, Kinoo Padlan evokes a realm where loss and transformation converge.
-Janine Dimaranan
Muling Buhay treats death and withering as rites of passage where meaning resurrects. A second iteration of his first solo show at Eskinita Art Gallery in 2018 entitled Bones and Blooms, this exhibition is not a repetition but a closure—a full circle marking the end of a journey that never truly ends.
-Janine Dimaranan
In Dito at Ngayon, artist Melvin Pollero weaves together images that explore the circumstances of society that coalesce with his life as a father, a husband, a painter, and an activist.
-Dave Lock
Muling Buhay treats death and withering as rites of passage where meaning resurrects. A second iteration of his first solo show at Eskinita Art Gallery in 2018 entitled Bones and Blooms, this exhibition is not a repetition but a closure—a full circle marking the end of a journey that never truly ends.
-Janine Dimaranan
Through the years, Tuklas has continued to give back to the local creative community by providing residencies, personalized mentorship, and culminating exhibitions to promising young talent. Founded by Alfredo Esquillo and his mentor, Renato Habulan, Tuklas has now become a powerful launchpad, propelling young artists into their first-ever solo exhibitions to mark the beginning of their flourishing artistic practice.
-Dave Lock
This exhibition, in celebration of KASIBULAN’s 38th anniversary, pays homage to the founding members whose pioneering works and advocacy have shaped the collective identity of women artists in the Philippines. Through this exhibit, KASIBULAN honors Imelda Cajipe-Endaya, Julie Lluch, Ana Fer, Sister Ida Bugayong (1948–2020), and Brenda Fajardo (1940–2024)—visionary women who championed the integration of feminist and cultural narratives into the Philippine art landscape.
In the evocative solo exhibition "Tagpi-tagpi," artist Jeanroll Ejar masterfully captures the essence of Filipino resilience and ingenuity through his wood sculptures.
-Jeff Daroy